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If it would be possible to sit here and talk about movies and music; and what it means to the rubes and scoundrels then surely we would sit and talk about easy subjects. The crass pleasantries exchanged would situate the rank and file. Everybody would know exactly where to sit. Imprimatur in a manner reminiscent of prayers cast on a dying star, the whole spectrum of fine color is an endemic exchange of motives. That gut feeling that something else is waiting right around the corner (cue West Side Story) leaves the impression that this is a time of preparation. A swath of carpet is visible under the piles of clothes and other assorted shit, and Leonard Cohen’s “The Future” plays over and over, perennially repetitious.
“When they said repent,
I wondered what they meant”
(l. cohen “the future”)
Never better than the kind of phrasing that cuts to the quick without any pretense towards geniality. That is the kind of thought that was worth the Rack centuries ago. I’m sure any budding theologian would be most comfortable cutting down that kind of tree. As the centuries passed by, the shrieking souls encased in sightless oubliettes lower the volume and play nice. It’s harder and harder to get into hell, despite the purported attitude of the man-on-the-street. There’s not a sign of thunder and not the first scent of salt. What does it mean when they say “apostate unbeliever?”
Since my own movement is limited by each day’s dose of devil pain shooting into places it’s not supposed to go, I have to rely on the humble effigy swinging from a rope for excitement. In between numbing bouts of disharmony I forswore every vice only to be enveloped in smoke and slapped by the coincidence of symbolic movement. With a running start, you hit the wall even harder. Mechanical observations, the crunch of the gravel under work boots I took off years ago, remaindered scents of November rocks beaten by January waves. Everything goes haywire behind my eyes as the present and past become as interchangeable as a Ford and a Mercury. It is frightening to lose perspective like that. These walls are here for a reason, hopefully. The corner of the room is covered in graffiti lettered in my own hand some time ago. Even now, you can just barely make out…
I used to spit out days like this. Now I chew until the flavor is gone and grimace and swallow. After dining on the scraps from the masters plate for such a long period of time, leftovers remind me of a buffet. Shake and shaken in this pitiful prose of a maddening image of a tiny knife wreaking havoc between my lower vertebrae. From this stalled out spot in the middle of the late early years, all that’s left is to acknowledge the physical limitations and consecrate my deliverance from this holy row. Part of me is still foolish enough to believe what’s coming is an inveterate decision rather than orders handed out from a distant unseen authority. The part of me still unsure is left holding onto the memory of what it felt like to run.
Sacrilegious? Mayhaps, at least with respect to those crazy fuckers running the toll free hot-line to the man upstairs. I heard his name was Paul. I used to know a Paul myself. A true King amongst men. With the right amount of distraction, another day will indeed pass unnoticed. With some luck, we can travel in silence, moving slowly on to whatever the fuck comes next. Hell of an observation that last stanza. Could it be said that the coda kills? No. It couldn’t.
“Your servant here,
he has been told
to say it clear,
to say it cold:
It’s over, it ain’t going
any further
And now the wheels of heaven stop
you feel the devil’s riding crop
Get ready for the future:
it is murder”
(l. cohen “the future”)